



 


|
Non-Fictional
Prose
by
Charles G.D. Roberts
Edited
by D.M.R. Bentley and Laurel Boone
|
|
BLISS
CARMAN *
|
|
It is not my purpose here to
attempt anything like an exposition or a critical
analysis of Carman’s genius. I cannot yet, if
ever, stand sufficiently apart from him for such
a task. Moreover, the doing of it would be superfluous,
for the present. It has just been done by another
hand, and done so brilliantly that one might well
shrink from risking comparisons. Dr. Cappon’s
study of "Bliss Carman’s Beginnings",
in the autumn number of the Queen‘s
Quarterly, covers more
ground than its title would seem to imply. It
is so adequate and so illuminating that any analysis
I might attempt would resolve itself into a kind
of running comment, with here and there some additions,
perhaps, but no significant disagreement. When
Dr. Cappon says "Carman’s tendency is to
transcendentalize experience rather than to explore
it psychologically", he uncovers for us the
very core of Carman’s genius. I can not imagine
any clearer guidance to the understanding of Carman‘s
poetry as a whole than that one revealing sentence.
This poetry is so considerable in bulk, and has
appeared in so many small separate volumes, that
it is seldom viewed as a whole even by its most
convinced admirers. It is so varied, alike in
form and mood and matter, so full of complexities
masking behind simplicity of expression, that
the essential unity underlying all its variety
has hitherto, I think, eluded us. Dr. Cappon has
dragged it into light.
My purpose
then, in this article, is to catch and imprison
in words, before they fade, some of those impressions
of my great kinsman, friend and exemplar which
yet linger in my memory, in the hope that they
may help to build up such a portrait of the man
himself as shall appear not unworthy of the imperishable
works which he has left us. And I must beg forgiveness
in advance if, in the course of these reminiscences,
I may seem to obtrude too much of my own personality.
It is worth while to risk the charge of egotism
if thereby I may hope to make the picture of my
friend in any degree more intimate or more vivid.
* * * *
Born
in Fredericton, New Brunswick, on the 15th of
April, 1861, Carman was only fifteen months younger
than myself. But as I grew up much faster than
he did, in matter of writing verse I got the start
of him by many years. Before I was twelve I had
begun to scribble verses,—or rather, I had begun
striving laboriously to construct fragments of
verse which never seemed to me worth finishing.
After three of four years of such striving, however,
stimulated by the wise and sympathetic criticism
of my father, who had fed me from babyhood on
the best of poetry—on Milton, Shelley, Byron,
Tennyson in particular—I gained craftsmanship
enough to bring some of these youthful efforts
to completion, and so was able to issue my first
book of verse at the age of twenty. At this time
Carman was just trying his hand on some metrical
translations from Homer. The appearance of my
little book, and the generous way it was welcomed
by kindly critics, undoubtedly stimulated him
to further efforts. But these efforts showed no
sign whatever of having been influence by anything
that I had written. Bliss took so much longer
to grow up, both intellectually and physically,
than his more diminutive cousin, because it was
decreed that he should have so much further to
grow. It was much the same way in the field of
sports. In the hundred yard sprint Bliss was no
match for me at all; but in long distance races
his lanky six-foot-three of wiry sinew left me
at last panting but undismayed far in the rear.
Apropos of this lean length of his, which was
fitly carried out in his extraordinarily long
arms, his beautiful tapering hands, and his narrow
number twelve feet—and also of the fact that his
birthday was exactly in mid-April—he was wont
to describe himself as a cross between an April
Fool and a Maypole.
Not till
I had passed my fourteenth year did I come to
know Bliss intimately. Like him, to be sure, I
am a child of the beautiful and storied River
St. John, my birthplace being at the mouth of
the Keswick stream, ten miles above Fredericton.
But a few months after my birth my father was
appointed rector of the parish of Westcock and
Dorchester, at the head of the Bay of Fundy; and
the following fourteen years of my life were spent
at the quaint old colonial homestead known as
Westcock Parsonage, on the wooded ridge of upland
looking out across the green marshes and tumultuous
tides of the Tantramar. During all these years,
as far as memory serves me, I saw Bliss but once,—on
a brief visit to Fredericton when I was about
eight years old. In that home city of the clan,
which seemed to me chiefly populated by grandfathers
and grandmothers, uncles and aunts, and cousins
innumerable, I was taken, of course, to see "Uncle
Carman" and "Aunt Sophie" (my mother’s
sister)—and "Blissie". Blissie‘s little
sister, Murray, was then too young and in my eyes
too unimportant to leave any impression on my
memory. But "Blissie", as well as his
father and mother, I remember very vividly. "Aunt
Sophie" I loved at once. Tall and rather
thin, she had features of a clean-cut austerity
in marked resemblance to our great kinsman, Emerson,
whose mother also was a Bliss. But her mouth and
her eyes revealed the unfailing kindliness which
made her the best loved of all the aunts. My "Uncle
Carman" I admired tremendously. He was very
tall—some inches over six feet—and very distinguished
looking, with his luxuriant waving hair and well-groomed
beard and peculiarly bright dark eyes. My admiration
for this splendid figure would have been wholesomely
mixed with awe, but for the indulgent twinkle
which tempered that penetrating regard. Toward
Blissie I was inclined to be just a little patronizing;
for was I not a whole year and three months older
than he, although he was already a couple of inches
the taller? I remember thinking his hair (it was
golden bronze) ought to be cut at once. Mine was
always kept short. He was a grave, shy little
boy, and he looked to me awfully "good",—an
appearance, by the way, which inexplicably clung
to him throughout his after life, and now and
again led to some misunderstanding. However, I
presently learned that one must not always judge
by appearances. Blissie and I were sent out into
the garden, to play and get acquainted. I found
that Blissie had a lively imagination, quick in
response to large and constructive ideas. In the
course of our well meant efforts to put these
ideas into effect, some unavoidable damage was
done to the hitherto perfect lawn. I was grieved
to find myself more than suspected of having led
my (then) exemplary little cousin into mischief.
But Blissie was staunchly insistent in claiming
an equal share of whatever credit might be due
for large, constructive ideas. It is possible
that he was telling the truth. It is arguable
that then, as was frequently to happen in later
years, our intellects had struck fire from the
contact with each other. However it may be, from
that hour I fully appreciated my cousin.
When,
in 1874, my father became rector of Fredericton,
and from Westcock Parsonage we were transplanted
to the massive old Georgian house of red brick
known as The Rectory, I was brought into almost
daily contact with Carman. We both attended the
Collegiate School; and though he was in the Form
junior to mine, we were both in the same coterie
of schoolboy intimates bound together by like
tastes and pursuits. From that day till my graduation
from the University of New Brunswick in 1879,
our paths lay never very far apart.
We were
an enterprising and somewhat robustious lot of
youngsters, half a dozen of them our own cousins,
that coterie of intimates. Carman was much the
quietest and least aggressive of the lot. He did
not box or wrestle, and he lazily avoided quarrels
when he could. But no one ever "picked on"
him unduly, or tried to take advantage of his
mildness. He was highly dangerous in a rough and
tumble. The vice-like grip of his long, inexorable
fingers was known and respected. His lank stature
did not fit him for general sports and gymnasium
work, and he was much too deliberate for the fierce
struggle of football,—to all of which I was feverishly
addicted—but he was a fine long distance runner,
a powerful swimmer, an expert and tireless canoeist.
In his school work he was no plodder, but just
reasonably diligent,—enough so to give the general
impression that he could make a brilliant showing
if he tried. But he was not emulous. And he was
not keenly interested in any of his subjects excepting
the Greek and Latin. He was too much of a dreamer,
and too absorbed in his outside reading to strive
for high marks in his examinations; but once in
a while he would win a prize,—perhaps inadvertently,
perhaps to please his devoted father and mother.
His unfailing and courteous attention in the class-room,
however, and his instinctively chivalrous dislike
of making things difficult for those of his teachers
who had not the gift of discipline, gained him
at last a distinction which he was far from seeking.
He was awarded the Good Conduct Prize. I can still
see the wide, embarrassed grin with which he received
it. I can still hear his whimsical apology to
his schoolmates, his modest suggestion that he
might live it down. But his father and mother
didn’t seem to mind at all.
During
my first couple of terms at the Collegiate School,
the Head Master, George R. Parkin, was away on
leave, taking post-graduate work at Oxford, and
making a deep impression in the debates at the
Oxford Union by his fervent and convincing eloquence.
In his absence, the post of acting Head Master
was filled by Dr. H. S. Bridges, who afterwards
became Professor of Greek and Latin at the university.
He was an altogether admirable Head Master, commanding
not only obedience but unqualified respect, and
those of us who had the good luck to study our
Latin and Greek under his guidance have reason
to remember him with gratitude. But he was somewhat
aloof and awe-inspiring, and none of us came very
closely in contact with him. Parkin, on the other
hand, was intensely personal, and essentially
an inspirer. To him each pupil in his classes
was an individual interest, and to be handled
individually. It was a very phlegmatic pupil indeed
who could resist catching fire from his vivid
and sympathetic enthusiasm.
To Carman
and myself in particular, Parkin‘s return to the
school was an event which stamped itself ineffaceably
on our lives. The influence of that stimulating
contact was never afterwards quite to fade away.
Gladly we worked for him, and in his classes it
was never dull. What seemed the dryest of passages
from a Ciceronian oration might suddenly come
alive and significant to us when our great teacher
would interject a few flashing words to tell us
how he first saw the honey-coloured moon rising
over the roofs of Rome and flooding down its radiance
upon the pale ruins of the Forum. By the look
in his eyes we could see that he was far away
from the classroom at that moment, and dreaming
again among those ghostly columns. And it seemed
to us that we shared the vision with him.
But it
was outside school hours that Parkin did most
for us two ardent boys,—that he gave us most inspiringly
of himself, of his high enthusiasms, and of the
atmosphere of that wonderful far world of art
and letters from which he had just returned. Filling
our pockets with apples, (he was addicted to apples,
as Adam was, but more judiciously!) he would take
us favoured two for long hikes over the wooded
hills behind Fredericton. He would take us as
comrades, not as pupils; and his talk would weave
magic for us till the austere fir-clad slopes
would transform themselves before us into the
soft green Cumnor Hills, and the roofs and spires
of Fredericton, far below, embowered in her rich
elms, would seem to us the ivied towers of Oxford.
England just then was thrilling to the new music,
the new colour the new raptures of Swinburne and
Rossetti; Parkin was steeped in them; and in his
rich voice he would recite to us ecstatically,
over and over till we too were intoxicated with
them, the great choruses from "Atalanta in
Calydon", passages from "The Triumph
of Time", and "Rococo",—but above
all, "The Blessed Damozel", which he
loved so passionately that Bliss suspected him
of sometimes saying it instead of his prayers.
But Parkin‘s love and understanding of poetry
was not confined to the work of the Pre-Raphaelite
group. He would quote Tennyson, Browning and Arnold
to us; and he taught us to know Homer and Horace,
not as subjects for laborious translation and
scansion and parsing, but as supreme poets and
masters of verbal music. In conversation with
us, indeed, he was given to quoting Horace as
familiarly as from the English poets—and sometimes
with a neatness that would surely have delighted
the genial Q. H. F. himself. One day, when the
three of us were trout fishing on the upper waters
of the Nashwaak,—or rather, when Parkin and I
were fishing, while Carman dreamily trailed his
flies over a sunlit shallow where no trout would
ever happen by,—I struck sharply to the rise of
a fish so small that the rash fingerling was flung
high into the air, where it caught and clung gleaming
in the upper branches of an elm. On the instant,
pointing upward, Parkin declaimed solemnly—
Piscium
et summa genus haesit ulmo.
Surely as pat a sally as one could encounter!
When
I passed on "up the Hill" from school
to the gray old university, I was foolish enough
to let myself lose that intimate contact with
Parkin which Carman was to enjoy, and richly profit
by, for yet two years more. And of Carman himself,
during those two years, I saw little enough. My
time was taken up by all those absorbing interests
which go to fill the life of a not-too-studious
undergrad. But during the summer vacations we
were together as before, on camping trips and
long expeditions by canoe into the wilderness
regions of Northern New Brunswick. These expeditions
usually consisted of two or three canoes, and
the personnel would often vary somewhat. Among
the school and college mates who accompanied us
at one time or another were several who were to
win distinction in after life—Frank McInnes, who
had once saved my life at the imminent risk of
his own by plunging beneath a raft of logs and
dragging me forth when I had been sucked under
by the current,— Douglas Hazen (now Sir Douglas),
my most frequent rival and usually vanquisher
in the competition for scholarships and medals,—
Allan Randolph and Leigh Babbitt, later to become
eminent in the banking world. But there was one
without whom, for either Carman or myself, no
such expedition could ever be complete—that most
loved and relied-upon of all our cousins, Andrew
Straton, to whom we have both paid tribute in
our verse. Andrew, at that time Bliss’s closest
comrade, with me a feeble second, was a remarkable
personality. Had he lived, he would surely have
made a name for himself. He was two or three years
older than I. Tall and powerful, an all-round
athlete and expert woodsman, he was the unquestioned
leader in all our expeditions. His courage and
his resourcefulness were equalled only by his
unfailing kindliness and cheerful humour,—and
whatever he said went! Moreover, he had a finely
equipped mind, eyed good poetry wisely, and on
occasion could turn a bit of finished verse which
never lacked colour and music. I dwell upon Andrew
Straton here, not only because I loved him myself,
but because he exerted a shaping influence on
Carman‘s character if not upon his [text illegible].
These
long canoe trips, of course, took place in the
vacation months, the closed season for all beasts
and birds of interest to the hunter. And we respected
the game laws. Yet we always carried two or three
guns with us, in case of the unexpected. But the
cold, clear amber waters of the northern interior
of New Brunswick swarm with trout, and we were
all keen sportsmen—except Carman. He would never
touch a gun at all, lest he should inadvertently
shoot something; and though we could sometimes
persuade him to cast a fly, it was always in the
hope that he would not catch anything. And he
never did. None the less, when we had caught the
trout, he had no objection to helping to clean
them—no delectable task when the black flies and
vicious little "bite-em-no-see-ems"
were burrowing in eyes and hair. And when the
trout, well peppered and salted within and rolled
in yellow corn-meal without, were fried in pork
fat to just the right rich shade of brown, Carman
had no compunctions whatever about devouring them.
All he was averse to was being their executioner.
He would have been rather aggrieved if the rest
of us had become infected with his gentle aversion.
I have
never seen Carman so happy, so utterly at home,
as on these wilderness expeditions. He was essentially
native to the woods and the lonely inland waters.
He paddled and handled his canoe like an Indian.
He trod the forest trails like an Indian, noiseless,
watchful, taciturn, moving with a long, loose-kneed
slouch, flat-footed, and with toes almost turned
in rather than out—an Indian‘s gait, not a white
man‘s! That love of the sea which was later to
show itself in so much of Carman’s poetry was
perhaps atavistic, an inheritance from some of
our New England and approximately "Mayflower"
ancestry.
After
my graduation, in 1879, I rather lost personal
touch with Carman for some years. Leaving Fredericton,
I had flung myself headlong, with the audacity
of my nineteen years, into the strenuous adventure
of living. I had moved to the north shore of the
province, to the old deep-sea-shipping and lumber
town of Chatham, on the Miramichi, and become
Principal of the Grammar School there. I had taken
unto myself a wife, carrying off an undeniably
comely bit of Fredericton in the act. I had brought
out a book. I imagined myself very important.
Life to me was crowded, much to the detriment
of my dreaming.
Carman,
meanwhile, remained at Fredericton,—and it was
good to be in Fredericton in those days. He finished
his college course with distinction, graduating
with honours in both classics and mathematics.
For a little while he taught in the Collegiate
School, under Parkin, but found teaching by no
means congenial to his temperament. He never could
understand people not understanding things which
to him seemed perfectly clear; and all through
his life he hated to explain. He would even rather
be misunderstood,—as his whimsical humour often
led him to be. He gave up his post in the Collegiate,
therefore, and settled down to read law. It was
not that Blackstone’s Commentaries
had any particular charm
for him, or that torts and kindred mysteries interested
him in the least, or that he harboured any serious
ambition to become a legal luminary. All he sought
was a reasonable excuse for living at home, where
he knew that he was needed. In his heart he was
restless. His feet were itching to wander. He
wanted Oxford, England, Italy. But he quietly
clamped down the lid upon his restlessness, and
stayed. His father, who had been by no means young
when he married Bliss’s mother (having already
brought up a large family by a previous marriage)
was now old and feeble, and his mother, though
so much younger than her husband, had grown so
frail as to cause anxiety. He knew they would
be unhappy if he were to leave them. He knew also
that, in their devotion, they would be still more
unhappy if they thought they were thwarting any
of his ambitions. So he pretended, and altogether
successfully, that his chief ambition was to study
law in Fredericton.
As I
have already suggested, the Fredericton of those
days was a good place for a poet to be. The lovely
little city of the Loyalists, bosomed in her elms
and half encircled by the sweep of her majestic
river, was stirring with a strange aesthetic ferment.
With not more than six thousand inhabitants, she
was not only the capital, with Government House,
the House of Assembly, the Law Courts, and all
they stood for, but also she was the cathedral
city, as well as the educational centre of the
province. She had little of the commercial spirit,
and I fear she was hardly as democratic as is
now-a-days considered the proper thing to be.
But she was not stagnant, and she was not smug.
Instead of expecting all her people to be cut
of one pattern, she seemed rather to prefer them
to be just a little queer. She was indulgent to
their eccentricities as long as these were not
too offensive. Conformity, that tyrant god of
small town life, got scant tribute from her. There
was much good reading done,—up-to-date reading;
and if people wrote verses, they had no need to
be apologetic about it. To Fredericton it did
not seem impossible that some of them might even
turn out to be good
verses. Good verses were, indeed, being written,
not only in the Carman house, the big brick Rectory,
and that high-gabled old dwelling on Brunswick
St. which our husky cousins, The Straton boys,
vivaciously inhabited,—where all the clan foregathered,—and
where that most erratic genius of the clan, Barry
Straton, shy recluse and wilful roughneck, was
composing a little volume of fine poetry called
"The Building of the Bridge", now very
precious to collectors of rare Canadiana.
In other Fredericton homes also, where good literature
was loved and studied, the newly awakened impulse
to beauty was groping toward expression. A slim,
dark-eyed and black-browed youth, by the name
of Francis Sherman, when not toiling at his desk
in the Bank, was dreaming with William Morris
and Rossetti over old romance of Camelot and Lyonesse.
The ultimate fruitage of this dreaming was a volume
of poems called "Matins", which remains
to this day almost unknown in Canada or elsewhere.
But I cannot believe that it will always remain
so. I feel that for sheer poetry, distilled and
quintessential, we have produced little to equal
it. This sudden outflowering of the poetic impulse
which, for perhaps a score of years, made the
name of Fredericton conspicuous in the world of
letters, is a thing which some critics have been
puzzled to account for. I am inclined to ascribe
it, in no small part, to the vitalizing influence
of George R. Parkin, falling upon soil that was
peculiarly fitted to receive it.
More
Reminiscences of Bliss Carman*
In
the previous chapter of these reminiscences I
omitted to speak of Carman‘s trip to England which
he made soon after his graduation from the University
of New Brunswick. There were two reasons for this
omission. I was not in close personal touch with
him at the time,—1881-82; and those months spent
in London and Oxford and Edinburgh seem to have
left so slight a mark on his development. But
the fact that they did affect him so slightly
calls for some explanation.
He
was not yet ripe for the experience. He knew neither
what he wanted to get from it nor how to get anything
from it. He was, as I have already pointed out,
slow to mature; and moreover, then—as always throughout
his life to the very end—he was peculiarly dependent
upon personal contacts. Sympathetic companionship
meant everything to him. He had no gift for solitude.
In Robinson Crusoe‘s place I don‘t think he would
have taken the trouble to survive.
When
he reached London he felt himself utterly alone,—except
for the books to which he fled for the refuge
in the bookshop of John Bumpus on Oxford Street.
Daunted and homesick, he moved on to Oxford, which
called to him with the ardent voice of Parkin
and the haunting cadences of "The Scholar
Gipsy." But even here, after the first thrill
of finding boyish dreams come true, and satisfying
himself that the tranquil Isis and the storied
piles of Magdalen and Oriel were even lovelier
than their names, he was presently homesick again.
He made no real personal contacts. And suddenly
he knew what he wanted.
Away
in the misty North, in Edinburgh, at this moment
was a living, breathing bit of Fredericton. Herbert
Pickard, a college mate of Carman’s and head of
his class, having won the Gilchrist Scholarship
for New Brunswick, had elected to carry on his
studies at Edinburgh University. Carman turned
his back on Oxford, joined Pickard in Edinburgh,
and settled down contentedly to study. I am under
the impression that he took lectures in English
and Mathematics, but they seem to have left no
very vivid impression upon him, for afterwards
in his talks with me about those Edinburgh days
he never referred to them. All his talk was of
his quiet life in lodgings with Pickard, and their
adventurous prowlings about the grey old city.
Pickard had a gentle and lovable personality,
and an able intellect. But he was interested in
books rather than in life. Unlike Carman, he was
in Edinburgh with a definite purpose and ambition.
He was fitting himself for a professional career.
He gave himself up to his studies with an ardour
which was ultimately to sap his vitality and cut
him down before he reached his goal. As far as
fresh cultural influences were concerned, these
two young exiles from their beloved little city
on the St. John, shut in upon themselves by their
inexperience and strangeness, might as well have
been in a monastery. And so it was that when,
1883, Carman returned to Fredericton, he brought
with him little more than a few surface impressions,
and a confirmation of his own restlessness and
uncertainties.
The
Muse, set on shaping a poet to her taste who should
own no divided allegiance, kept diplomatically
heading him off from the entanglements of anything
like a settled career. Back in Fredericton, after
experimenting, as I have said, with school-teaching,
and incuriously sniffing at the musty tomes in
a law office, he tried his hand at surveying for
a while, which was more congenial to him because
it took him into the wilds and he could make-believe
he was just "camping-out." But meanwhile
he was fitting himself, whether consciously or
unconsciously, for his destined work in life.
He was writing quantities of verse, all in intricate
and rigid forms which he taught himself to handle
not only with ease but with severest exactness.
He had got hold of a little volume on "Ballades
and Rondeaux" and other French verse-forms,
by Gleeson White, which fired him by the fascinating
difficulties it presented. Presently he was turning
out a profusion of perfectly wrought ballads,
rondels, rondeaux and triolets,—but the last two
especially. That most unyielding of verse-forms,
the rondeau, was plastic as wax in his hands.
When I was editor of the Toronto Week,
(in 1884, I think), I printed a column-and-a-half
poem of his, called "Ma Belle Canadienne,
Julie," of which every stanza was a rondeau.
That frail and tricky trifle, the triolet, light
as a thistle-down yet unbending as glass, was
complaisant to his touch. He addressed to me a
triolet beginning—
My
glad Greek boy, in love with life,
Wake the old echoes
with your song—
which
my memory, alas, stubbornly refuses to recall
in full. It was written on the fly-leaf of one
of my own books which has been "borrowed"—I
fear irrevocably. At this period also he wrote
some polished sonnets and quatrains. One of these
quatrains, entitled "Bulrushes", I sent
to my friend Richard Watson Gilder, editor of
the Century,
who accepted it with warm praise, and paid for
it with a cheque which Carman modestly considered
beyond its desserts. We were both of us fairly
modest then.
In
all this prentice-work, through which Carman gained
that simplicity and easy mastery of form so characteristic
of his verse, there was not only consummate craftsmanship,
but a wealth of essential poetry. Yet none of
these early compositions—exercises he considered
them—are to be found in any of his printed volumes.
Where are
they to be found? Here, surely, are riches to
be unearthed by the fortunate treasure-seeker.
For
some years after my move from Fredericton to Toronto
I saw nothing of Carman, and our correspondence
was casual. In 1886 he went to Harvard, and there
he began to find himself. Dr. Cappon says "His
academic studies there do not seem to have won
him any specific distinction." But that,
indeed, was the last thing he was looking for.
He took lectures. I don’t think examinations concerned
him at all. He got what he was looking for,—stimulating
personal contacts, and a sudden clarifying of
his ambitions, and a philosophy of life which,
with modifications of his own, was to serve him
faithfully throughout all after years. He took
philosophy under Professor Royce, who gave him
just what his spirit craved. The influence of
Royce, in my judgment, was second only to that
of Parkin in the shaping of Carman’s genius. But
not less significant were certain of the friendships
which he made. The name of Richard Hovey, of whom
I shall speak more fully later, will always be
associated with that of Carman. He and Carman
were to become the closest of comrades. He was
a broadening and emancipating influence. He had
the effect of liberating those robuster elements
in Carman’s character, inherited from a very virile
and large-moulded ancestry, which had hitherto
lain dormant.
There
is no apparent excuse for talking of my own affairs
at this point,—which is perhaps the reason I feel
impelled to do so. At least it will serve to bridge
a gap, and lead me onward to the point where my
own intimacy with Carman was happily renewed.
My experiment in journalism, when I was editor
of The Week,
could not be regarded by my most indulgent critics
as a shining success. When that great (and sometimes
greatly mistaken) man, Goldwin Smith, started
The Week,
as an organ for the advancement of culture and
for the promulgation of his own peculiar views
as to the destiny of Canada, he made one of his
mistakes when he called me up from Fredericton
to Toronto to take the post of editor. My chief
qualification for the post was a touching but
quite unjustified faith in my fitness for it.
I had a much more vivid realization of the importance
of editors than I had of the importance or the
rights of proprietors. Also my views as to the
destiny of Canada were passionately, and vocally,
opposed to those of Goldwin Smith. My heart goes
out in sympathy to him when I think of the annoyance
I must have caused him,—and that for so much longer
than I could have expected! Then, with generous
compensation, he dispensed with my services, and
I returned to Fredericton, the richer by an interesting,
if strenuous, experience. About a year later I
was appointed to the chair of English at the old
U. E. Loyalist University of King‘s College, at
Windsor, Nova Scotia, where I was to spend perhaps
the most fruitful ten years of my life—and where
I was to find the opportunity of renewing my old
intimacy with Carman.
Of
all my sins of omission, the one for which I am
most often moved to do penance is my neglect to
keep a diary. Any kind of diary, however haphazard
and fragmentary, is infinitely better than none.
How I wish I were able to give now the date of
Carman’s first visit to me at King’s College!
I remember only that I had been several years
at King’s before I succeeded in luring him away
from his journalistic and other adventurings in
New York to the lovely and storied Acadian land,
which was to stamp its colour and its emotional
atmosphere so ineffaceably into the texture of
much of his greatest poetry. That first visit
was to give us, eventually, "Low Tide on
Grand Pré" and a long line of kindred poems.
He came, saw, and was conquered. Thereafter he
came often and often lingered long, knowing well
that the latch-string of Kingscroft-in-the-firs
was always hanging out for him with eager expectancy.
It
was natural that Carman should feel himself at
home here from the first. King’s College, founded
by the Loyalists, modelled on Oxford, and first
of all colonial universities to be endowed with
a Royal Charter, had a gracious, old-world atmosphere
peculiarly contenting to Carman’s distinctly aristocratic
spirit. The college building itself, standing
grey and venerable among its elms on the brow
of a park-like westerly slope, and looking out
across wide green dyke-meadows toward the far-off
misty purple of the Ardise Hills, was screened
from view of the town of Windsor by the dense
fir masses and tumbled ravines of College Woods.
But to the busy yet dignified little town clung
much of the atmosphere and tradition of the college.
Just beyond the College Woods, on the outskirts
of the town, shadowed and enfolded by a grove
of ancient trees, stood a low, wide-roofed, white-walled,
green-shuttered house which, so long as it shall
endure, must make Windsor a place of pilgrimage
for all who are concerned with the story of Canadian
letters. This was the home of Judge Thomas Chandler
Haliburton, jurist, historian, humorist, immortal
creator of "Sam Slick, The Yankee Clockmaker,"
and father of what is known in modern literature
as "American Humor." The Windsor of
those days was something more than a little country
town with a distinguished university. The spacious
estuary of the Avon, brimmed and emptied twice
in each twenty-four hours by the tremendous Fundy
tides, had made her a sea-port. She had an outlook
upon the world. She built ships, and sailed them.
Windsor ships and Windsor sailors were to be met
with in all the ports of the Seven Seas. She had
speech for both Carman the inlander and Carman
the lover of the sea. Moreover, only fifteen miles
or so away lay storied Grand Pré and Wolfville
amid their orchards, looking out across the marsh-meadows
of the Gaspereau to the red tides of Minas and
the guardian promontory of Blomidon,—a land whose
colour and intimate personal associations were
to tinge the weft of Carman’s poetry through many
after years.
Carman
always wrote abundantly during his visits to "Kingscroft"—as
we called my cottage among the young fir-trees
on the fringe of College Woods. And during his
visits my own verse also would come freely. For
my own part, I have always found that my verses
would not even begin to take shape unless I was
quite alone. But with Carman I could get solitude
and companionship in one. He had a genius for
companionable silences. His presence was utterly
unexacting. We stimulated and inspired each other,
and had no need to talk about it. Carman was as
undomesticated as a faun. But the affairs of a
busy household, with four children, and dogs and
cats, chickens and rabbits enlivening the atmosphere,
did not disturb him in the least; because my cheerful
study, when its door was shut, was an inviolable
sanctuary from whose windows he could see the
high, rough pastures and open hill-tops inviting
him when he should feel the impulse to wander.
Toward the children, who called him Uncle Bliss,
his attitude was one of genial and humorous aloofness.
They liked and admired him immensely, and were
always pleasantly excited when they heard he was
coming to visit us. But they seemed to regard
him as an agreeable mystery, and never got very
intimate with him. When they saw him prowling
aimlessly about or around the house, loose-jointed,
riotous-haired, and far blue eyes unseeing, while
he murmured and mumbled inarticulately, ("like
a big bumble-bee", as they put it), they
would decide that he was composing a "pome"
and would drift off, much impressed to some far
corner of the woods or the football field, that
their play might not disturb the sacred process.
They seemed to understand this sacred process
instinctively. But to my wife it was a never-ending
source of mild amusement. She approved of him,—
but it seemed to her such a queer way to write
poetry.
Different
as are Carman’s methods from my own, and much
as we differ in some fundamental characteristics,
there was always such a degree of sympathy between
us that in all our years of association we never
got on each other’s nerves, or had anything like
a misunderstanding. We disagreed quite widely
on many important points. But that was of no more
consequence to us than the difference in our stature
or in the way we wore our hair. His method of
composition, as a rule, was to write right on,—leaving
gaps when he came to obstacles which could not
be taken in his stride,—and afterwards to revise
with meticulous care. My own method has always
been to write very slowly, finishing and condensing
as I go, and stopping to deal with each difficulty
as I come to it. I cannot think that the one method
is better or worse than the other. It is a matter
of temperament. When Carman conceived a poem,
it was likely to grow in the writing to a greater
length than he originally intended. When I plan
a poem, it is likely to turn out much shorter
than I expected, my idea of revision being to
cut everything that can be spared.
Over
and above the innate sympathy which existed between
us, there seemed to be at times a sort of telepathic
contact. One morning at breakfast I told Bliss
that in the night I had dreamed a poem, of which
on waking I could remember nothing except the
two opening lines. I said these line were good
enough, but I couldn’t do anything with them.
They meant nothing to me, and did not seem to
belong to me. They ran this way:—
Buried
alive in calm Rochelle,
Six in a row, by the crystal well.
Bliss
pounced upon them at once. "Give them to
me, Old Man," he exclaimed eagerly. "I
feel them all right. That dream got into your
brain by mistake. It was intended for me. I’ll
capture the whole poem."
"Go
to it," said I. And the result, within a
few days, was the fantastically haunting ballad
of "The Kelpie Riders."
But
not always was I so ready to han over to him my
loot from the treasuries of dream. On another
occasion (it was a spring morning, and we were
vagabonding together) when he was mumbling to
himself in the effort to catch a poem that was
playing hide-and-seek in his brain, I broke in
on his preoccupation to tell him a few lines which
had just come to me out of the Unknown. They were
the opening lines of my poem "A-foot,"
beginning
Comes
the lure of green things growing,
Comes the call of waters flowing,
And the wayfarer
Desire
Moves and wakes and would be going.
Bliss‘s
eyes gleamed, and his long arms grabbed me.
"That’s
mine," he exclaimed exultantly. "That’s
what I was just going to write. Give me those
lines, and I’ll finish the poem."
"Not
on your life" said I with decision. "I‘m
writing this poem."
He
tried to argue the point with me, and finally,
with reckless extravagance, tried to buy the lines
from me with one of his rare and valued ten-dollar
bills. But I shut my eyes to the bait, and stood
firm.
"Very
well then," said he with his characteristic
spacious grin, "keep your rotten old lines.
I’ll go ‘round the other side of those bushes,
so you can‘t tap my brains again, and I’ll write
a lot of better verses on the same subject."
And he did. So it comes that we each have to our
credit a piece of spring poetry bearing the title
of "A-foot."
But
there are sundry other poems of ours which bear
identical titles. On several of Carman’s visits
to me he brought Richard Hovey with him, much
to my content. Hovey was both a delight and an
inspiration. One of the first things he did to
stimulate the output of verse amid the pleasantly
astonished shades of King‘s College was to invent
a game for poets, which was to have an enduring
vogue in the Kingscroft circle. Carman and Hovey,
like myself, were much given to inventing picturesque
or suggestive titles. We held, I think rightly,
that a good title, planted in the right soil,
might germinate and grow to a good poem. We kept
lists of titles in our note-books, and every now
and then one would prove to be just what was wanted.
For my own part, I have titles enough to keep
me supplied for the next hundred years or so,—and
I am continually adding to my list. Apropos of
the subject, let me digress for a moment to recall
one night in New York when Carman and I were dining
with Gilbert Parker at Mouquin’s. Carman said
something about a poem he was going to write,
to be called "The Gift of The Simple King."
Parker instantly fell in love with the title and
begged for it. Carman was inexorable. At last
Parker said "I want it for a story. That
won’t prevent you using it for your poems. I‘ll
put it in quotation marks if you like. Here’s
twenty-five dollars for it. But if you won’t sell
it to me, I‘ll commit highway robbery and take
it."
"I
couldn’t bear to be responsible for your moral
downfall," said Bliss, and contentedly pocketed
the cash.
But
to return to Dick Hovey‘s game for poets. This
was the manner of it. First we would agree as
to what form of poem we were to exercise our craftsmanship
upon, whether a fixed form,—sonnet, quatrain,
dizain, as might be chosen,—or a piece of verse
of any form, or of any length up to about a hundred
lines. We limited the length because we limited
the time,—usually to forty-eight hours. Never
less than that, because we took the game very
seriously, and would not encourage the perpetration
of any slap dash impromptus. These weighty points
settled, we would each select three titles upon
which we would like to write. Each title was written
on a separate slip of paper, folded minutely,
and dropped into a hat. Then some unprejudiced
hand would draw one slip, and read out the title.
After that it was a go-as-you-please until the
appointed hour, some days later, when we would
meet in my study and compare the fruits of our
labours.
And
these labours were not altogether unfruitful.
Among the compositions thus produced we each of
us found two or three which we judged worth preserving,
and afterwards included in our collections. Of
the three, Hovey was rather the best at the game.
He always managed to turn out something worth
while, at the same time conforming strictly to
the rules with which we deliberately fettered
ourselves. Carman was the most lawless in this
respect. If a quatrain or a sonnet was the form
called for, he might start upon it conscientiously
enough, but suddenly burst the bars and express
himself in a forty-line lyric. On one occasion
the title which had been given him by the fortune
of the draw proved so much to his liking that
he came to the show-down with a hundred-line fragment,
which he said was merely the introduction to his
poem. We frowned, at first, on this reckless infraction
of the rules. But when he read us what he had
written, we enthusiastically forgave him. That
poem ultimately ran to between three and four
hundred lines, and appeared in one of his volumes
of the "Pipes of Pan" series; but the
title, alas, has slipped my memory, and I could
not identify it without going through the volumes,
which I have not by me at the moment.
The
next time Bliss and Dick came to Kingscroft together,
we dropped our game and buckled down to serious
undertakings. It was in 1892, the year of the
Shelley Centenary. We were all three very much
in earnest that summer, all three engaged on some
of our most important work. Hovey was composing
"Seaward", his great elegy on the New
England poet Thomas William Parsons, a poem which
has been so far amazingly overlooked by students
of American Literature. I am weighing my words
carefully when I say that, in my judgment, it
is the greatest elegiac poem, in the classical
tradition, which America has produced. It belongs
in the august company of "Adonais" and
"Thyrsis." Carman was at work on his
Shelley memorial poem, "The White Gull,"—a
poem crowded with passages of poignant and haunting
beauty, but not, it seems to me, quite reaching
the first rank among his works by reason of some
diffuseness of thought and incoherence of structure.
For my own part, I was writing ardently on the
"Ave", my own tribute to the adored
memory of Shelley. During those days of ecstatic
self-absorption, we were given to prowling apart
and treating each other with an understanding
aloofness which was somewhat puzzling to those
about us. But in the evening we would foregather
again, and produce mutual commendation and criticism
(the commendation greatly predominating), what
the day‘s delighted travail had brought forth. |
"Bliss
Carman," Dalhousie Review 9:4, October
1939, 409-17 [back]
"More
Reminiscences of Bliss Carman," Dalhousie
Review 10:1, January 1940, 1-9 [back]
|
|
|
|
|
|