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Bliss
Carman's Letters to Margaret Lawrence 1927-1929
Edited
by D.M.R. Bentley
Assisted
by Margaret Maciejewski
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Letter 6
Twilight Park
Haines Falls, N.Y.
6. September. 1927
Margaret,
a thousand thanks for this last letter just come. It
only confirms the happiness I have had in hearing from
you. It was dear of you to give me the brief history
of yourself.1
"A chela," "a child of light," and
the limpid sincerity of soul so evident in every word,
the perfect open frankness so unusual in the world—are
all rather terrifying, and I seem to be standing before
one of the all-seeing ones. It is very sobering and
rather shaking, banishing light-hearttedness for the
moment. I understand all you say so well. And I could
reply with a volume
of biography most willingly if it were necessary. Also
I wish I could make you see this Twilight Park.2
But I am a niggardly writer, being most indolent. I
had to go to N.Y. last week as I told you. A most doleful
day of rain in torrents. I was thankful to be back here,
and have [sic] a wonderful long tramp on the mountain
trails yesterday, that you would have loved. These Catskills
lie with their Eastern edge along the line of the Hudson,
about ten miles back from the river, and there is a
trail running some miles along their front some two
thousand feet above the great plain of the River. The
peaks rise a couple of thousand feet higher westward
from the trail, which winds through pines and over warm
rocks, always with the immense outlook at one’s side.
In
the Park here our cottages are set down right in the
woods, and we look down the Clove to the Hudson valley
far away. There is a great roar of falling rivers in
my ears as I write and the trees are close around. "Moonshine"3
[h]as a large living room 24 x 36 and very good for
music and reading. Here we have one or more entertainments
every year, as good as we can make them. The one this
year was particularly good I think. The Costumes were
most beautiful in color and fitness. You would have
liked it, I think. I am sending you copies of "daughters
of Dawn" and "Earth Deities",4
which happen to be on hand here. They have long been
out of print, and will give you some notion of what
M.P.K.5 and I
have been trying to do all these years. She is a great
personality, and all my things owe more than can be
said to her constant co-operation. Whole lines and happiest
phrases—not mine at all.
Don’t
think I have any better snap shots here, but will send
one when I get back to New Canaan. I treasure your letter
and all you are. Don’t move away. After having discovered
you, it would be to[o] desolating.
Allah
be with you!
Carman
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In
a letter of September 4, 1927, Lawrence describes
herself as Watson’s "chela" (see Letter
1 n.3 and Letter 5 n.7) and explains that on his
deathbed he called her "a child of light"
and urged her to "swing in [her] own orbit"
should she decide to return to the academic life.
She also credits Watson with introducing her to
the work of Walt Whitman, Edmund Carpenter, William
Bucke and Thomas Troward (see Letter 5 ns 5 and
6) and provides some details of her education at
the University of Toronto (see Introduction xi xviii
n.3). [back]
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See
Letter 3 n.1. [back]
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The
name given by Carman and Mary Perry King (see following
notes) to the Unitrinian School of Personal Harmonizing
that she founded in Twilight Park (see also Letter
52 n.2 and, for the unitrinian philosophy, Letter
18). [back]
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Daughters
of Dawn: a Lyrical Pageant or Series of Historical
Scenes for Presentation with Music and Dancing
(1913) and Earth Deities and Other Rhythmic Masques
(1914): two masques or pageants written by Carman
in collaboration with Mary Perry King. [back]
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Mary
Perry King (1861-1939), born Rebel Thorn Perry and
married in 1887 to Dr. Morris Lee King, practised
a philosophy of mind-body-spirit harmonization based
largely on the writings of the French musician and
thinker François Alexandre Delsarte (see Letter
18 n.2). For discussions of Carman’s relationship
with Mary Perry King, see H. Pearson Gundy, "Lorne
Pierce, Bliss Carman and the Ladies," Douglas
Library Notes 14.4 (1965), 2-24 and "Kennerley
on Carman," Canadian Poetry: Studies, Documents,
Reviews, 14 (1984), 69-74. For a discussion
of the genesis and importance of Carman and King’s
collaborative works, see Laurel Boone, "Bliss
Carman’s Pageants, Masques and Essays and the Genesis
of Modern Dance," Bliss Carman: a Reappraisal,
ed. Gerald Lynch, Reappraisals: Canadian Writers
16 (Ottawa: U of Ottawa P, 1990), 165-80. [back]
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