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Bliss
Carman's Letters to Margaret Lawrence 1927-1929
Edited
by D.M.R. Bentley
Assisted
by Margaret Maciejewski
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Letter
1
B.C.
New
Canaan,1 Connecticut
16.
May. 1927
Dear
Margaret Lawrence:
Your
letter has just arrived—bless you. The magazine came
two days since and I had already read the article2
most eagerly and with so much satisfaction over every
paragraph. It was so good to find our adorable friend
adequately treated in competent fashion. Such things
are so difficult to do, and I thought as I read how
finely and charmingly you had do[ne] your task of love.
For of course only those who know and care can ever
write about the rare wise ones like Albert Watson.3
That is why I was sorry not to have more
talk with you on Saturday night.4
I am grateful to have had the privilege of meeting him
while he was here, and thankful I had the sence [sic]
to perceive something of his worth—though not all, I
am sure.
So, my dear girl, pray accept my best
thanks for this remembrance of one of the truly inspired,
and all best wishes for you own growing success.
"Have
little care that life is brief,
And
less that art is long,"—&c.5
Most
sincerely
Bliss
Carman
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New
Canaan is the residential and resort town in south-western
Connecticut where Mary Perry King and her husband
(see Letter 6 n.5) had owned a spacious home-cum-girls’
school named "Sunshine House" since 1908.
In his Prefatory Note to Carman’s posthumously published
Sanctuary: Sunshine House Sonnets (Toronto:
McClelland and Stewart, 1929), vii, Padraic Colum
sets the compositional scene for Carman’s letters
from New Canaan: "[e]very morning he would
leave his rooms in the village and walk to Sunshine
House where Dr. and Mrs. King live; there he would
spend the day, writing, reading, walking, and dreaming,
returning to the village at night." [back]
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"Sancta
Simplicitas," Willison’s Monthly 2.12
(1927), 468-69, signed "Lawrence Dare."
[back]
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Albert
Durrant Watson (1859-1926), the subject of "Sancta
Simplicitas," was an Ontario-born physician,
poet, and mystic who practised medicine in Toronto
up to the time of his death. He published several
collections of poetry— Wing of the Wild Bird,
and Other Poems (1908), Love and the Universe
(1913), Heart of the Hills (1917), The
Dream of God, (1922), and Woman: a Poem
(1923)—and his Complete Poems appeared in
1923. His prose works include a study of the Canadian
poet Robert Norwood (1923) and, in collaboration
with Lawrence, Mediums and Mystics: a Study of
Spiritual and Psychic Forces (1923), the former
in the Makers of Canadian Literature series of the
Ryerson Press and the latter in the Ryerson Essays
series. On the title page of Mediums and Mystics,
he is described as the "Some Time President
Royal Astronomical Society of Canada [and] President
Society for Psychic Research, Canada." His
other prose works can be separated into relatively
orthodox studies in the idealist and Methodist vein—The
Sovereignty of Ideals (1904), The Sovereignty
of Character: Lessons from the Life of Jesus
(1906), and Three Comrades of Jesus (1919)—and
studies that reflect his psychic and theosophical
interests—The Twentieth Plane: a Psychic Revelation
(1918) and Birth Through Death: The Ethics of
the Twentieth Plane. A Revelation Received through
the Psychic Consciousness of Louis Benjamin (1920).
In Albert Durrant Watson: an Appraisal (Toronto:
Ryerson, 1923), Lorne Pierce, with whom he had collaborated
on Our Canadian Literature (1922), observes
of him that he "believes absolutely in the
spirit, believes that it is at the bottom, the top
and the widest circumference of life. . . . [H]e
believes that he inhabits a spiritual world, that
at the centre and core of all life and all matter
there is spirit, that you cannot evade it and that
the only alternative is to accept it, and then get
into immediate contact with it" (5-6). [back]
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See
Introduction xi and Letter 11 n.3. [back]
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The
first two lines of the final quatrain of Carman’s
"Envoi":
Have
little care that Life is brief,
And less that art is long.
Success is in the silences,
Though fame is in the song.
The
quatrain is an elaboration of Seneca’s "Ars
longa, vita brevis." It appears on the front
end-paper of Carman and Richard Hovey’s Songs
from Vagabondia (1894) and as the final poem
in Bliss Carman’s Poems (1931). [back]
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